{"id":1902,"date":"2015-01-09T10:16:00","date_gmt":"2015-01-09T10:16:00","guid":{"rendered":"https:\/\/vania.es\/?p=1902"},"modified":"2019-01-24T10:48:00","modified_gmt":"2019-01-24T10:48:00","slug":"maldita-fortuna-2015","status":"publish","type":"post","link":"https:\/\/vania.es\/ca\/maldita-fortuna-2015\/","title":{"rendered":"MALDITA FORTUNA (2015)"},"content":{"rendered":"

<\/section><\/p>\n

Deia Cocteau que per tenir un \u00e8xit teatral nom\u00e9s cal aplicar tres precises regles d’or que lamentablement ning\u00fa coneix. Ning\u00fa? Quines regles aplica Francis Veber -l’autor de EL SOPAR DELS IDIOTES- als seus espectacles perqu\u00e8 tots -tots- siguin \u00e8xits internacionals? Ell diu que nom\u00e9s \u00e9s q\u00fcesti\u00f3 d’observaci\u00f3 i de treball. Pot ser, per\u00f2 hi ha gent que observa molt\u00edssim durant hores i hores i hores -els controladors dels arcs de seguretat dels aeroports , per exemple- i aparentment no obtenen cap resultat semblant. El nou \u00e8xit de FRANCIS VEBER es diu MALDITA FORTUNA i torna a presentar-nos a personatges que s\u00f3n com nosaltres, de carn i ossos, amb problemes quotidians que es resolen tal com ens agradaria que es resolguessin a\u00a0la vida real. Tornarem a veure a Fran\u00e7ois Pignon, el protagonista de totes les seves obres, lluitant per sortir de l’atur, proposant a un inspector d’hisenda que li faci una inspecci\u00f3, descobrint que els paradisos fiscals ja no s\u00f3n el que eren , comprovant com els diners canvien a les persones i veient-se convertit , de la nit al dia, en una icona sexual. I tot aix\u00f2 per demostrar-nos que els diners no donen la felicitat per\u00f2 que, si es pot, sempre est\u00e0 b\u00e9 comprovar-ho.<\/p>\n

Paco Mir<\/p>\n

DIRECCI\u00d3:<\/strong> Paco Mir<\/p>\n

REPARTIMENT:<\/strong><\/p>\n

David Fern\u00e1ndez<\/p>\n

Pep Mir\u00e0s<\/p>\n

Susanna Garachana<\/p>\n

Carles Gilabert<\/p>\n

Marta Capel<\/p>\n

Toni Sevilla<\/p>\n

Anna Gras-Carre\u00f1o<\/p>\n

AJUDANT DE DIRECCI\u00d3:<\/strong> Gilbert Bosch<\/p>\n

PRODUCTOR:<\/strong> Carles Roca \/Pilar Mir<\/p>\n

AJUDANT DE PRODUCCI\u00d3:<\/strong> Olalla Calvo<\/p>\n

ASSISTENT DE PRODUCCI\u00d3:<\/strong> Violeta Borrell<\/p>\n

ESCENOGRAFIA:<\/strong> Paula Bosch<\/p>\n

IL\u00b7LUMINACI\u00d3:<\/strong> Eudald Gili<\/p>\n

VESTUARI:<\/strong> Carlota Ricart \/ Maria Albadalejo<\/p>\n

DISSENY GR\u00c0FIC:<\/strong> Magda Puig<\/p>\n

REGIDORIA:<\/strong> Olalla Calvo<\/p>\n

FOTOGRAFIA:<\/strong>\u00a0Silvia Poch<\/p>\n

VENDA D’ ENTRADES<\/a><\/p>\n

P\u00c0GINA WEB<\/a><\/p>\n

FACEBOOK<\/a><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Deia Cocteau que per tenir un \u00e8xit teatral nom\u00e9s cal aplicar tres precises regles d’or que lamentablement ning\u00fa coneix. Ning\u00fa? […]<\/p>\n","protected":false},"author":1,"featured_media":1938,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13,9],"tags":[],"class_list":["post-1902","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nacional-2","category-teatre"],"_links":{"self":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/1902","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/comments?post=1902"}],"version-history":[{"count":17,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/1902\/revisions"}],"predecessor-version":[{"id":3253,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/1902\/revisions\/3253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media\/1938"}],"wp:attachment":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media?parent=1902"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/categories?post=1902"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/tags?post=1902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}