{"id":2615,"date":"2016-05-18T11:24:31","date_gmt":"2016-05-18T11:24:31","guid":{"rendered":"https:\/\/vania.es\/?p=2615"},"modified":"2019-01-24T10:45:09","modified_gmt":"2019-01-24T10:45:09","slug":"los-miercoles-no-existen-2013","status":"publish","type":"post","link":"https:\/\/vania.es\/ca\/los-miercoles-no-existen-2013\/","title":{"rendered":"LOS MI\u00c9RCOLES NO EXISTEN (2013)"},"content":{"rendered":"

Los mi\u00e9rcoles no existen \u00e9s una dramedia rom\u00e0ntica. Un puzzle de moments i situacions al voltant de sis personatges que estan a punt de tallar amb la seva rutina emocional, i sentimental. Vides explicades de manera aleat\u00f2ria, fragmentada. Sense protagonistes ni secundaris. Els personatges, homes i dones entre els 30 i els 40 composen un retrat generacional i comparteixen a pocs cent\u00edmetres del p\u00fablic, instants intims i personals pels que tots hem passat, estem passant o passarem en alg\u00fan moment…<\/p>\n

El\u00a0t\u00edtol\u00a0de l’ obra ( Los mi\u00e9rcoles no existen)\u00a0fa\u00a0refer\u00e8ncia a\u00a0l’\u00a0efecte domin\u00f3 provocat\u00a0a\u00a0arrel de prendre\u00a0petites decisions\u00a0 aparentment innocents, per\u00f2 que per un motiu\u00a0o un altre\u00a0,\u00a0de vegades sense saber molt b\u00e9 com, acaben canviant la nostra vida tal i com la coneix\u00edem fins aquell moment.\u00a0\u00c9s quan ens toca parar-nos a pensar, fer balan\u00e7 i comen\u00e7ar de nou.<\/p>\n

Aquests s\u00f3n els tres pasos que donaran els nostres personatges.<\/p>\n

\u00a0<\/span><\/p>\n

TEXT:\u00a0<\/b>Peris Romano (con col\u00b7laboraci\u00f3 de Sergio Barrej\u00f3n)\u00a0<\/b><\/span><\/p>\n

DIRECTOR:<\/strong>\u00a0Peris Romano<\/span><\/p>\n

REPARTIMENT<\/b>: \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/p>\n

\u00a0 \u00a0Gorka Otxoa \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/p>\n

\u00a0 \u00a0Diana Palaz\u00f3n \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/p>\n

\u00a0 \u00a0William Miller<\/span><\/p>\n

\u00a0 \u00a0 M\u00f3nica Regueiro<\/span><\/p>\n

\u00a0 \u00a0 Dani Muriel<\/span><\/p>\n

\u00a0 \u00a0 Irene Anula<\/span><\/p>\n

\u00a0 \u00a0 Javier Rey<\/span><\/p>\n

\u00a0 \u00a0Eva Ugarte<\/span><\/p>\n

\u00a0 \u00a0Armando Del R\u00edo<\/span><\/p>\n

\u00a0 \u00a0B\u00e1rbara Grand\u00edo<\/span><\/p>\n

\u00a0 \u00a0Marta Solaz<\/span><\/p>\n

\u00a0 \u00a0Luis Callejo<\/span><\/p>\n

FITXA ART\u00cdSTICA<\/strong><\/em><\/span><\/h3>\n

M\u00daSICS<\/b>: Ester Rodr\u00edguez i Alberto Matesanz<\/span><\/p>\n

ESCENOGRAFIA I VESTUARI:\u00a0<\/strong>Almudena L. Villaba<\/span><\/p>\n

DISSENY DE IL\u00b7LUMINACI\u00d3:\u00a0<\/strong>Sergio Givernau\u00a0<\/span><\/p>\n

AJUDANT DE DIRECCI\u00d3:<\/strong>\u00a0Maite P\u00e9rez Astorga\u00a0<\/span><\/p>\n

AJUDANT DE PRODUCCI\u00d3:<\/strong>\u00a0Chiara Ramos<\/span><\/p>\n

PRODUCCI\u00d3:<\/strong>\u00a0Producciones OFF\/Vania produccions<\/span><\/p>\n

PRODUCCI\u00d3 EXECUTIVA:<\/strong>\u00a0M\u00f3nica Regueiro, Sergio Barren\u00f3 i Violeta Ferrer<\/span><\/p>\n

PREMSA:<\/strong>\u00a0Antonio Castro, Raquel Berini<\/span><\/p>\n

FOTOGRAFIA:<\/strong>\u00a0Natxo L\u00f3pez<\/span><\/p>\n

DISSENY GR\u00c0FIC<\/strong>: Jorge Espejo \u00a0<\/span><\/p>\n

TEASER:<\/strong>\u00a0Roberto Fern\u00e1ndez\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Los mi\u00e9rcoles no existen \u00e9s una dramedia rom\u00e0ntica. Un puzzle de moments i situacions al voltant de sis personatges que […]<\/p>\n","protected":false},"author":1,"featured_media":2562,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13,9],"tags":[],"class_list":["post-2615","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nacional-2","category-teatre"],"_links":{"self":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/2615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/comments?post=2615"}],"version-history":[{"count":8,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/2615\/revisions"}],"predecessor-version":[{"id":3251,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/2615\/revisions\/3251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media\/2562"}],"wp:attachment":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media?parent=2615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/categories?post=2615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/tags?post=2615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}