{"id":3576,"date":"2020-10-14T15:15:41","date_gmt":"2020-10-14T15:15:41","guid":{"rendered":"https:\/\/vania.es\/?p=3576"},"modified":"2021-10-19T22:38:39","modified_gmt":"2021-10-19T22:38:39","slug":"la-dona-trencada","status":"publish","type":"post","link":"https:\/\/vania.es\/ca\/la-dona-trencada\/","title":{"rendered":"LA DONA TRENCADA"},"content":{"rendered":"\n<p><strong>EL PROJECTE<\/strong><\/p>\n\n\n\n<p>La dona trencada soc jo. I tu, i tu, i tu tamb\u00e9, encara que siguis home&#8230; Fins a quin punt la manipulaci\u00f3 emocional pot arribar a fer-nos sentir culpables del mal que ens infringeixen, com si nosaltres mateixes l\u2019hagu\u00e9ssim provocat i deman\u00e9ssim a crits que ens fereixin, fins a l\u2019extrem de demanar-ne perd\u00f3! I ens desposse\u00efm del respecte que com a dones i com a persones ens mereixem.<\/p>\n\n\n\n<p>Monique \u00e9s una dona que ho\nt\u00e9 tot i que no t\u00e9 res. I no perqu\u00e8 el seu marit Maurice estigui a punt\nd\u2019abandonar-la, sin\u00f3 perqu\u00e8 la primera en deixar-se de banda ha estat la pr\u00f2pia\nMonique, ja fa molt de temps.<\/p>\n\n\n\n<p>Per\u00f2, qui sap?, potser la davallada als inferns li dona l\u2019impuls necessari per assolir la plenitud i la llibertat&#8230;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Llu\u00efsa Mallol<\/strong><\/p>\n\n\n\n<p><strong>TEXT DE LA DRAMATURGA<\/strong><\/p>\n\n\n\n<p>Despr\u00e9s de descobrir que el\nseu marit mant\u00e9 una relaci\u00f3 amorosa amb una altra dona, Monique intenta\nendre\u00e7ar en un dietari l\u2019evoluci\u00f3 dels seus pensaments i percepcions. Fins\naleshores, sempre s\u2019havia considerat a s\u00ed mateixa com a mod\u00e8lica en la pr\u00f2pia\ncondici\u00f3 femenina i els seus rols de g\u00e8nere assumits, per\u00f2 en la nova situaci\u00f3\ncomen\u00e7ar\u00e0 a replantejar-se la majoria dels valors sobre els que havia constru\u00eft\nla seva vida \u00edntima i social.<\/p>\n\n\n\n<p>Simone de Beauvoir se\nserveix d\u2019un patr\u00f3 convencional per recrear un personatge que en plena maduresa\nes resisteix a acarar la p\u00e8rdua del marit, de les filles i de la pr\u00f2pia\njoventut. A trav\u00e9s de la historia de Monique, l\u2019autora de El segon sexe\ndenuncia les pressions socials que dificulten la participaci\u00f3 plena de la dona\nen la societat i posa de relleu la trampa de que s\u00f3n v\u00edctimes. Enfront d\u2019aquest\nbuit, Beauvoir reivindica la responsabilitat de prendre les regnes de la pr\u00f2pia\nvida. <\/p>\n\n\n\n<p>Amb aquesta narraci\u00f3 en\nprimera persona publicada l\u2019any 1967, Simone de Beauvoir posava de relleu les\nnombroses viol\u00e8ncies de caire estructural que bateguen soterrades sota els\nmiratges de l\u2019ideal de la \u00abfeminitat\u00bb. <\/p>\n\n\n\n<p>M\u00e9s de cinquanta anys despr\u00e9s de la seva escriptura, el text encara interpel\u00b7la nombroses din\u00e0miques de la nostra societat.     <strong>Araceli Bruch<\/strong><\/p>\n\n\n\n<p><strong>EQUIP\nART\u00cdSTIC<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Text original: Simone de Beauvoir<\/li><li>Traducci\u00f3: Marta Pesarrodona<\/li><li>Direcci\u00f3: Francesca Pi\u00f1\u00f3n<\/li><li>Ajudant de direcci\u00f3: Carol Ibarz<\/li><li>Adaptaci\u00f3 teatral: Araceli Bruch i Llu\u00efsa Mallol<\/li><li>Projeccions i espai sonor: Mar Orfila<\/li><li>Cap T\u00e8cnic: Eudald Gili<\/li><li>Producci\u00f3: Andrea Quevedo<\/li><li>Disseny Producci\u00f3: Carles Roca<\/li><li>Int\u00e8rpret: Llu\u00efsa Mallol<\/li><\/ul>\n\n\n\n<p>Fotograf\u00edes Teatre Nacional de Catalunya: \u00a9 May Zircus \/ TNC <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EL PROJECTE La dona trencada soc jo. I tu, i tu, i tu tamb\u00e9, encara que siguis home&#8230; Fins a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3661,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[7,13,9,3],"tags":[],"class_list":["post-3576","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nacional","category-nacional-2","category-teatre","category-teatro"],"_links":{"self":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/3576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/comments?post=3576"}],"version-history":[{"count":11,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/3576\/revisions"}],"predecessor-version":[{"id":3656,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/3576\/revisions\/3656"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media\/3661"}],"wp:attachment":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media?parent=3576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/categories?post=3576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/tags?post=3576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}