{"id":361,"date":"2014-06-23T11:17:38","date_gmt":"2014-06-23T11:17:38","guid":{"rendered":"https:\/\/vania.es\/?p=361"},"modified":"2015-03-04T10:13:40","modified_gmt":"2015-03-04T10:13:40","slug":"carta-de-la-maga-bebe-rocamadour-2","status":"publish","type":"post","link":"https:\/\/vania.es\/ca\/carta-de-la-maga-bebe-rocamadour-2\/","title":{"rendered":"Carta de la Maga a Bebe\u0301 Rocamadour (2002)"},"content":{"rendered":"<section class=\"vania-main-content cf\"><\/p>\n<p>MADRID: SALA MIRADOR &#8220;CARTA DE LA MAGA A BEB\u00c9 ROCAMADOUR&#8221;<\/p>\n<p>Qui ha assumit el risc de portar a escena universos novel\u00b7lescos tan complexos com Ulyses, de Joyce, sobre herois i tombes, d&#8217;Ernesto S\u00e1bato o Moby Dick, de Melville, entre d&#8217;altres, no podria no caure en la temptaci\u00f3 de teatralitzar encara que fos una petita part d\u2019aquest laberint o mandala narratiu que \u00e9s la Rayuela, de Julio Cort\u00e1zar.<\/p>\n<p>I aix\u00f2, no nom\u00e9s com a homenatge a l&#8217;escriptor i l&#8217;home que tan \u00edntimament va saber unir la llibertat est\u00e8tica amb el comprom\u00eds \u00e8tic i pol\u00edtic; l&#8217;home i l&#8217;escriptor que tan s\u00f2lids ponts va tendir entre Am\u00e8rica i Europa, sin\u00f3 tamb\u00e9 com a restituci\u00f3 a l&#8217;espai i al temps, al cos i a la veu, d&#8217;una escriptura que s&#8217;endevina tra\u00e7ada a gestos amplis, a cops d&#8217;al\u00e8, a impulsos r\u00edtmics: alguna cosa semblant a una elaborada sessi\u00f3 de jazz, a un complex i sofisticat ritual de pas (&#8220;\u00e9s la meva tasca de pobre xaman blanc amb cal\u00e7otets de nil\u00f3&#8221;).<\/p>\n<p>Perqu\u00e8, a despit de la intricada estructura narrativa d&#8217;aquest &#8220;llibre (que) \u00e9s molts llibres&#8221;, la Rayuela \u00e9s tamb\u00e9 un llarg discurs pulsional, un enorme mon\u00f2leg polif\u00f2nic en el que la paraula vibra, la frase modula, el per\u00edode arrossega, i la lectura es converteix en una tensa escolta fascinada. Poques vegades l&#8217;escriptura i l&#8217;oralitat han travat en una novel\u00b7la tan f\u00e8rtil maridatge. No \u00e9s estrany, doncs, que sovint el relat es transformi en soliloqui, la narraci\u00f3 en interpel\u00b7laci\u00f3 o invocaci\u00f3, i la veu objectiva de l\u2019&#8221;autor&#8221; de la p\u00e0gina cedeixi a la del personatge, saltant del passat rememorant al present viscut.<\/p>\n<p>La fidelitat i la llibertat, juntament amb un c\u00e0lid respecte a la cosmovisi\u00f3 de Cort\u00e1zar, han presidit la tasca de dur a escena un episodi emblem\u00e0tic de l&#8217;emblem\u00e0tica novel\u00b7la: aquell en el que es consumen la separaci\u00f3 de l&#8217;Horaci i la Maga i l&#8217;enigm\u00e0tica desaparici\u00f3 d&#8217;aquesta.<\/p>\n<p>Diversos materials altament po\u00e8tics i dram\u00e0tics s&#8217;entrellacen en un complex i senzill teixit dramat\u00fargic, que aspira a donar forma teatral a les dislocacions del temps i del temps i de l&#8217;espai i a les mixtures d\u2019all\u00f2 real i virtual, claus en l&#8217;estructura de l&#8217;obra.<\/p>\n<p>Tres personatges: Horaci, la Maga i Ossip. Dos temps, marcats respectivament per l&#8217;abs\u00e8ncia real i la pres\u00e8ncia rememorada de la Maga en qu\u00e8 va ser el seu apartament de la rue Sommerard. Un conflicte: la impossible uni\u00f3 de l&#8217;intel\u00b7lecte i l&#8217;instint, de la recerca existencial abstracta i l&#8217;adhesi\u00f3 concreta, del mirar la vida i nadar-la&#8230; Condensen aquest concisos components la medul\u00b7la complexa de la Rayuela?<\/p>\n<p>Indubtablement no, ni l&#8217;espectacle ho pret\u00e9n.<\/p>\n<p>Carta de la Maga a beb\u00e9 Rocamadour no aspira a restituir, ni tan sols parcialment, la inesgotable riquesa de la novel\u00b7la que exigeix, per cert, reiterades i diverses lectures. S&#8217;ofereix com a un producte teatral aut\u00f2nom i autosuficient, susceptible, aix\u00f2 s\u00ed, de desplegar en l&#8217;\u00e0mbit esc\u00e8nic una mica de l&#8217;humor, de l&#8217;emoci\u00f3, de la poesia i de la calidesa que Cort\u00e1zar va saber imprimir als seus personatges, a les seves situacions, a la seva paraula viva i esclatant. I d&#8217;evocar, mitjan\u00e7ant la llum i la m\u00fasica, aquesta atmosfera alhora realista i m\u00e0gica que destil\u00b7len les seves p\u00e0gines.<\/p>\n<p style=\"text-align: right\">Jos\u00e9 Sanch\u00eds Sinisterra<\/p>\n<p style=\"text-align: justify\"><strong>Direcci\u00f3:<\/strong>Jos\u00e9 Sanch\u00eds Sinisterra<\/p>\n<p>\u00a0<strong>Repartiment<\/strong>:<\/p>\n<p>Horacio: Paulo Sciutto<\/p>\n<p>Ossip: Ra\u00fal Marcos<\/p>\n<p>La Maga: Concha Milla<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Escenografia:<\/strong> Joaquim Roy<\/p>\n<p><strong>Figurinista:<\/strong> Miriam Compte<\/p>\n<p><strong>Il\u00b7luminaci\u00f3:<\/strong> Keith Yetton<\/p>\n<p><strong>So:<\/strong> Pepe Bel<\/p>\n<p><strong>Construcci\u00f3 de escenografia:<\/strong> Artilugi<\/p>\n<p><strong>Disseny Gr\u00e0fic:<\/strong> Xavier Torrent<\/p>\n<p><strong>Producci\u00f3 Original:<\/strong> Isabel Delgado<\/p>\n<p><strong>Producci\u00f3:<\/strong> Vania Produccions SL<\/p>\n<p><strong>Ajudant de Producci\u00f3:<\/strong> Esteban Berenguer<\/p>\n<p><strong>Assistent de Direcci\u00f3:<\/strong> Virginia Pita<\/p>\n<p><strong>Dramat\u00fargia:<\/strong> Jos\u00e9 Sanch\u00eds Sinisterra<\/p>\n<p><\/section>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":331,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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