{"id":407,"date":"2014-06-23T13:52:15","date_gmt":"2014-06-23T13:52:15","guid":{"rendered":"https:\/\/vania.es\/?p=407"},"modified":"2015-03-04T10:38:21","modified_gmt":"2015-03-04T10:38:21","slug":"el-perro-del-hortelano-2","status":"publish","type":"post","link":"https:\/\/vania.es\/ca\/el-perro-del-hortelano-2\/","title":{"rendered":"El perro del hortelano (2002)"},"content":{"rendered":"
<\/p>\n

MADRID: TEATRO LOPE DE VEGA “EL PERRO DEL HORTELANO”<\/p>\n

Sexe, RH i “sopa boba”<\/p>\n

Tert\u00falies, debats, revistes, informatius: la paraula del carrer. Aix\u00f2 m’interessa. El debat de obrir Lope al segle XVII continua avui al carrer: Pot la noblesa emparentar amb el poble pla? Ha de tacar la seva immaculat RH blau amb un vulgar RH vermell? Qu\u00e8 passa quan la corona i el sexe no coincideixen en el mateix objecte de desig?<\/p>\n

Aquest Perro del Hortelano \u00e9s la hist\u00f2ria d’una jove comtessa d’avui, que viu en un palau d’avui, amb criats d’avui, i escolta m\u00fasica llatina. Amb tots els privilegis heretats sense donar cop. Una classe ociosa que defensa la seva superviv\u00e8ncia, mentre gaudeix de la “sopa boba”<\/p>\n

Qu\u00e8 diran vost\u00e8s, senyors, que hauria de fer la jove comtessa? Deixar la noblesa dels privilegis i buscar la noblesa del cor? Tot dep\u00e8n de la necessitat de poder i de la classe de poder que es tri\u00ef.<\/p>\n

Aqu\u00ed van tres actrius i sis actors amb talent que saben el que fan. Ells s\u00f3n les veus d’aquest Gos d’avui. La paraula \u00e9s la de Lope, en una versi\u00f3 que flueix amb la llibertat suficient per trobar-se amb la velocitat del pensament d’avui. De la passi\u00f3 d’avui.<\/p>\n

Lope, era un l\u00edder d’audi\u00e8ncia, un seductor. I aquest \u00e9s el nostre desig avui, arribar a vost\u00e8s, seduir amb aquesta hist\u00f2ria de sexe, RH i “sopa boba”. M’ho permeten?<\/p>\n

Mag\u00fci Mira<\/strong><\/p>\n

Direcci\u00f3:<\/strong> Mag\u00fci Mira<\/p>\n

Repartiment:<\/strong><\/p>\n

DIANA Clara Sanchis<\/strong><\/p>\n

FABIO Domenech de Guzm\u00e1n<\/strong><\/p>\n

ANARDA Gema Garcill\u00e1n<\/strong><\/p>\n

MARCELA Marilyn Torres<\/strong><\/p>\n

TEODORO Antonio Garrido<\/strong><\/p>\n

TRIST\u00c1N Jordi Brunet<\/strong><\/p>\n

FEDERICO Israel Fr\u00edas<\/strong><\/p>\n

RICARDO Balbino Lacosta<\/strong><\/p>\n

LUDOVICO Doctor Soler<\/strong><\/p>\n

 <\/p>\n

Versi\u00f3:<\/strong> Emilio Hern\u00e1ndez<\/p>\n

M\u00fasica original:<\/strong> Jaume Vilaseca<\/p>\n

Escenografia:<\/strong> Max Glaenzel \/ Estel Cristi\u00e0<\/p>\n

Vestuari:<\/strong> Mar\u00eda Araujo<\/p>\n

Il\u00b7luminaci\u00f3:<\/strong> Kiko Plans (A.A.I)<\/p>\n

Moviment coreogr\u00e0fic:<\/strong> Marta Carrasco \/ Neus Su\u00f1\u00e9<\/p>\n

Producci\u00f3 executiva:<\/strong> Merc\u00e8 Puy<\/p>\n

Producci\u00f3 t\u00e8cnica:<\/strong> Montse Enguita<\/p>\n

Ajudant de direcci\u00f3:<\/strong> Paco Montes<\/p>\n

Regidoria:<\/strong> Ana Gas<\/p>\n

Assistentes de producci\u00f3:<\/strong> Rosi Cuadrado \/ Alicia Gorina<\/p>\n

Disseny gr\u00e0fic:<\/strong> Miquel Aparici<\/p>\n

Construcci\u00f3 escenografia:<\/strong> Pascual\u00edn, Arts- C\u00e8nics, Xarli<\/p>\n

Confecci\u00f3 vestuari:<\/strong> Autendo<\/p>\n

Fotografia:<\/strong> Robert Ramos<\/p>\n

Infraestructura i distribuci\u00f3:<\/strong> Focus<\/p>\n

 <\/p>\n

M\u00fasics d\u2019estudi:<\/strong><\/p>\n

DICK THEM<\/strong> (Contrabajo)<\/p>\n

DANIEL LEVY<\/strong> (Bater\u00eda y percusi\u00f3n)<\/p>\n

DIEGO BURIAN<\/strong> (Trompeta)<\/p>\n

JAUME VILASECA<\/strong> (Piano y direcci\u00f3n musical)<\/p>\n

 <\/p>\n

 <\/p>\n

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