{"id":446,"date":"2014-06-23T15:13:17","date_gmt":"2014-06-23T15:13:17","guid":{"rendered":"https:\/\/vania.es\/?p=446"},"modified":"2015-03-04T10:44:58","modified_gmt":"2015-03-04T10:44:58","slug":"genova-01-2","status":"publish","type":"post","link":"https:\/\/vania.es\/ca\/genova-01-2\/","title":{"rendered":"Genova 01 (2004)"},"content":{"rendered":"<section class=\"vania-main-content cf\"><\/p>\n<p style=\"text-align: justify\">GENOVA 01 \u00e9s una obra molt especial i at\u00edpica. El seu autor \u00e9s un itali\u00e0 de 28 anys anomenat Fausto Paravidino que malgrat la seva obvia joventut s\u2019ha convertit en un autor molt important a tota Europa. Amb la seva encara curta producci\u00f3 d\u2019obres per una ra\u00f3 d\u2019edat, se\u2019l representa a molts pa\u00efsos europeus amb un gran \u00e8xit, sobre tot a Alemanya, en la que se l\u2019ha considerat \u201cl\u2019autor de l\u2019any\u201d.<\/p>\n<p style=\"text-align: justify\">Aquesta pe\u00e7a, tal com el seu nom indica, parteix d\u2019un esdeveniment real conegut per tothom: l\u2019assassinat del jove itali\u00e0 perpetrada per la policia a una de les manifestacions antiglobalitzaci\u00f3 durant la cimera dels G8 a G\u00e8nova l\u2019any 2001.<\/p>\n<p style=\"text-align: justify\">Els protagonistes d\u2019aquesta pe\u00e7a, segons l\u2019autor, s\u00f3n dones i homes de diversa edat i cultura; l\u2019acci\u00f3 passa al teatre. El text \u00e9s un text directe, sense quarta paret, ple d\u2019humor, viu, en el qual l\u2019autor explica qu\u00e8 va passar quan aquest noi va ser assassinat. Per\u00f2 la visi\u00f3 dels fets la fa des de la visi\u00f3 m\u00e9s ir\u00f2nica, l\u00facida i divertida de la pol\u00edtica que puguem imaginar.<\/p>\n<p><em><strong>\u201cL\u2019espectacle que es faci d\u2019aquest text ha de buscar ser un testimoni del passat recent i una reflexi\u00f3 del present. Aquesta tensi\u00f3 es manifesta multiplicant les reescriptures del text buscant una versi\u00f3 definitiva de la trag\u00e8dia de la qual es tracta aqu\u00ed.<\/strong><\/em><\/p>\n<p><em><strong>Acceptem amb mod\u00e8stia que la versi\u00f3 definitiva l\u2019escriuran els fills dels nostres fills i acceptem, per tant, que presentem no una presumpte \u201cversi\u00f3 definitiva\u201d, sin\u00f3 una sel\u00b7lecci\u00f3 del material amb el qual estem treballant en aquest moment amb l\u2019esperan\u00e7a que aquest material sigui \u00fatil un dia per la nostra descend\u00e8ncia en la qual tornem a posar les esperances m\u00e9s vives i a la qual demanem, de moment, perd\u00f3.\u201d<\/strong><\/em> Fausto Paravidino<\/p>\n<p style=\"text-align: justify\">L\u2019autor revisa tota l\u2019estona la versi\u00f3 de l\u2019obra depenent de com estiguin els processos judicials. La que tenim en aquests moments \u00e9s la feta l\u2019onze Setembre del 2003. Suposem que per l\u2019estrena al Juny del 2004 en tindrem una altra de m\u00e9s recent.<\/p>\n<p style=\"text-align: justify\">Aquest text suggereix una posta en escena molt fresca en el sentit de molt directa al p\u00fablic. La pr\u00f2pia estructura directa del text em porta a crear un espectacle on el p\u00fablic hauria de participar sovint, a vegades intervenint dient alguna cosa d\u2019aportaci\u00f3 pr\u00f2pia a all\u00f2 que l\u2019actor expliqui en aquell moment concret, fent directament part\u00edcips els espectadors..<\/p>\n<p style=\"text-align: justify\">Un element important d\u2019aquesta mena de teatre documental \u00e9s una gran pantalla de v\u00eddeo a l\u2019escenari que reproduir\u00e0 imatges reals del text quan creiem que dram\u00e0ticament \u00e9s necessari, aix\u00ed com alguns moments i expressions dels actors que ells mateixos gravaran, per ampliar-les en aquell mateix moment en el que ho trobem important, amb dues c\u00e0meres digitals que hi haur\u00e0 a l\u2019escenari per aquest efecte.<\/p>\n<p style=\"text-align: justify\">Un altre element b\u00e0sic per aconseguir aquesta cosa tan directa \u00e9s la m\u00fasica en directe barrejada amb els actors. Han de ser, i aix\u00ed ho s\u00f3n, uns m\u00fasics que juguen directament en el desenvolupament de la pe\u00e7a, que a algun moment poden parlar tamb\u00e9, que utilitzen els seus instruments participant activament en la dramat\u00fargia de la posta en escena. Aquests instruments s\u00f3n un sax\u00f2fon i la percussi\u00f3. En la mida del possible m\u2019agradaria afegir alguna m\u00fasica pregravada, que tan els actors com els mateixos m\u00fasics podran punxar des de l\u2019escenari quan dram\u00e0ticament sigui necessari, jugant tamb\u00e9 d\u2019una manera directa al desenvolupament de l\u2019espectacle.<\/p>\n<p style=\"text-align: justify\">Tamb\u00e9 l\u2019espai ha d\u2019anar potenciant aquesta sensaci\u00f3 de que els actors i els espectadors estan en el mateix costat de la Hist\u00f2ria.<\/p>\n<p style=\"text-align: justify\">Aquesta sensaci\u00f3 de que tot est\u00e0 passant en el moment en el qual ho estem veient, com si fos (per suposat mantenint les dist\u00e0ncies de la qualitat i del llenguatge teatral ) un programa de televisi\u00f3 on sembla que tot passi en directe i on, d\u2019alguna manera hi ha algunes coses que s\u00f3n, efectivament, en directe.<\/p>\n<p><strong>Direcci\u00f3:<\/strong> Carme Portaceli<\/p>\n<p><strong>Repartiment:<\/strong><\/p>\n<p>David Bag\u00e9s<\/p>\n<p>Llu\u00efsa Castell<\/p>\n<p>Tilda Espluga<\/p>\n<p>Albert Triola<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ajudant de direcci\u00f3 i traductor:<\/strong> Carles Fern\u00e1ndez<\/p>\n<p><strong>Escenografia i il\u00b7luminaci\u00f3:<\/strong> Paco Azor\u00edn<\/p>\n<p><strong>Ajudant d\u2019escenografia:<\/strong> Pere Milan<\/p>\n<p><strong>M\u00fasics:<\/strong><\/p>\n<p>Dani Nel\u00b7lo<\/p>\n<p>Mart\u00ed Perramon<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Assessorament de moviment:<\/strong> Dami\u00e1n Mu\u00f1oz<\/p>\n<p><strong>Entrenaments i classes:<\/strong> Gema D\u00edaz<\/p>\n<p><strong>Espai sonor:<\/strong> Jordi Collet<\/p>\n<p><strong>Disseny v\u00eddeo:<\/strong> Eugenio Szwarcer, Roberto Sara<\/p>\n<p><strong>T\u00e8cnic de llums:<\/strong> Mark Neumann<\/p>\n<p><strong>T\u00e8cnic de so:<\/strong> Roc Mateu<\/p>\n<p><strong>Vestuari:<\/strong> Anna G\u00fcell<\/p>\n<p><strong>Producci\u00f3 executiva:<\/strong> Estefania Benages<\/p>\n<p><strong>Distribuci\u00f3:<\/strong> Vania Produccions<\/p>\n<p>&nbsp;<\/p>\n<p><\/section>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":440,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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