{"id":459,"date":"2014-06-23T15:32:27","date_gmt":"2014-06-23T15:32:27","guid":{"rendered":"https:\/\/vania.es\/?p=459"},"modified":"2015-03-04T10:49:26","modified_gmt":"2015-03-04T10:49:26","slug":"hamelin-2","status":"publish","type":"post","link":"https:\/\/vania.es\/ca\/hamelin-2\/","title":{"rendered":"Hamelin (2006)"},"content":{"rendered":"
<\/p>\n

MADRID: TEATRO DE LA ABAD\u00cdA<\/p>\n

Hi havia una vegada.<\/strong><\/p>\n

De vegades sentim un remor als nostres peus, o entremig de les ombres, i ens fa por que les rates ja estiguin entre nosaltres. Ara que seriem tant feli\u00e7os.<\/p>\n

De vegades sentim a la nostra esquena la m\u00fasica d\u2019aquella flauta, i ens fa por girar-nos i recon\u00e8ixer els ulls del flautista. I correm a les habitacions dels nens per veure si encara estan all\u00e0.<\/p>\n

De vegades temem que el \u201chi havia una vegada\u201d ens atrapi com una llengua negra. I que, com una profecia, se\u2019ns compleixi el conte.<\/p>\n

A les versions m\u00e9s antigues del conte, els nens mai tornen a Hamelin. El flautista se\u2019ls porta per sempre amb la bonica m\u00fasica de la seva flauta. Arrabassant-los els fills innocents, el flautista d\u00f3na a la culpa dels pares el m\u00e9s cruel dels c\u00e0stigs.<\/p>\n

Tamb\u00e9 aquest \u201cHamelin\u201d \u00e9s un conte sobre la culpa dels adults i el seu c\u00e0stig. Sobre els nens d\u2019una ciutat que no sap protegir-los. Sobre un nen i els seus enemics. Sobre el soroll que l\u2019envolta la por amb que els mira.<\/p>\n

Juan Mayorga<\/p>\n

 <\/p>\n

Hamelin parla del mateix que el conte de les rates, dels homes-rata.<\/p>\n

Animalario continua fidel a l\u2019etimologia del seu nom, l\u2019anterior muntatge va ser sobre micos, aquest sobre rates i Alejandro y Ana sobre militants del PP.<\/p>\n

Per\u00f2 tornem a Hamelin. La ciutat s\u2019ha omplert de rates; la perversi\u00f3 est\u00e0 a la base de la pir\u00e0mide: els nens, la peder\u00e0stia. Hamelin ens parla de la perversi\u00f3, de la perversi\u00f3 de l\u2019educaci\u00f3, de la perversi\u00f3 sexual, de la perversi\u00f3 de les paraules.<\/p>\n

Unitat familiar significa fam\u00edlia per un nen que no pot entendre i la toler\u00e0ncia, si es zero, significa repressi\u00f3 per un jutge modern i dem\u00f2crata.<\/p>\n

Hamelin tamb\u00e9 \u00e9s un joc teatral pervers, on un personatge-acotador, en continu contacte amb el p\u00fablic, ens canvia el punt de vista, ens aclara un concepte o ens commou a adoptar una postura cr\u00edtica o simplement se\u2019ns seu al costat i ens mira a veure com mirem, es tracta de mirar.<\/p>\n

Es tracta de mirar-nos<\/p>\n

Andr\u00e9s Lima<\/p>\n

Direcci\u00f3:<\/strong> <\/strong>Andr\u00e9s Lima<\/p>\n

Repartiment:<\/strong><\/p>\n

Andr\u00e9s Lima<\/p>\n

Alberto San Juan<\/p>\n

Javier Guti\u00e9rrez<\/p>\n

Blanca Portillo<\/p>\n

Helena Casta\u00f1eda<\/p>\n

Guillermo Toledo<\/p>\n

Roberto \u00c1lamo<\/p>\n

 <\/p>\n

Autor:<\/strong> Juan Mayorga<\/p>\n

Ajudant de direcci\u00f3:<\/strong> Celia Le\u00f3n \/ \u00c1ngela Cremonte<\/p>\n

Espai esc\u00e8nic y vestuari:<\/strong> Beatriz San Juan<\/p>\n

M\u00fasica original i so:<\/strong> Nick Powell<\/p>\n

Violoncel:<\/strong> Sarah Willson<\/p>\n

Viol\u00ed:<\/strong> Lucy Wilkins<\/p>\n

Producci\u00f3:<\/strong> Joseba Gil \/ Esther Fern\u00e1ndez<\/p>\n

Regidoria:<\/strong> Cristina Morales<\/p>\n

Vestuari:<\/strong> Animalario<\/p>\n

Escenografia:<\/strong> Proescen<\/p>\n

Fotografia:<\/strong> Claudio de Casas<\/p>\n

Disseny Gr\u00e0fic:<\/strong> Gara Koan<\/p>\n

Documentalista:<\/strong> Walter Scopherbill<\/p>\n

 <\/p>\n

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