{"id":5365,"date":"2026-03-12T11:10:26","date_gmt":"2026-03-12T11:10:26","guid":{"rendered":"https:\/\/vania.es\/?p=5365"},"modified":"2026-03-12T12:00:14","modified_gmt":"2026-03-12T12:00:14","slug":"5365","status":"publish","type":"post","link":"https:\/\/vania.es\/ca\/5365\/","title":{"rendered":"LA LAZARILLA"},"content":{"rendered":"<p><strong>SINOPSI<\/strong><\/p>\r\n<!-- \/wp:post-content -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>Dues actrius madures demanen a l&#8217;autor Eduardo Gal\u00e1n que els escrigui una adaptaci\u00f3 d&#8217;un cl\u00e0ssic per a elles. A l&#8217;autor no se li acudeix res millor que adaptar El Lazarillo de Tormes, cosa que desencadena una s\u00e8rie de divertits esdeveniments, mentre realitzen l&#8217;assaig general de l&#8217;obra.<\/p>\r\n<p>En aquesta versi\u00f3 teatral s&#8217;han intentat respectar al m\u00e0xim tant l&#8217;estructura dels episodis narrats a El Lazarillo com la ironia i l&#8217;humor cruel d&#8217;alguns dels seus episodis, per\u00f2 ara la narraci\u00f3 de la hist\u00f2ria \u00e9s des del punt de vista d&#8217;una dona i tots els personatges s\u00f3n interpretats per dues actrius. Es veuran en escena les aventures m\u00e9s conegudes de L\u00e1zaro amb els seus diferents amos, sobretot, amb el cec, el clergue i el gentilhome. Des del famos\u00edssim cop que rep el protagonista al bou de pedra de Salamanca per la seva ingenu\u00eftat fins a la tendresa que suscita en compartir el pa amb el gentilhome; l&#8217;episodi del ra\u00efm, el del gerro de vi, el de la llonganissa, el de la falsa serp i l&#8217;arca del clergue\u2026<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>REPARTIMENT<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul>\r\n<li>Soledad Mallol<\/li>\r\n<li>Pepa Pedroche<\/li>\r\n<\/ul>\r\n<!-- \/wp:list -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>EQUIP ART\u00cdSTIC<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul>\r\n<li>Adaptaci\u00f3: Eduardo Gal\u00e1n<\/li>\r\n<li>Direcci\u00f3: Carla Nyman<\/li>\r\n<li style=\"font-size: 16px;\">Ajudant de direcci\u00f3: David Bueno<\/li>\r\n<li><span style=\"font-size: 16px; font-style: normal; font-weight: 400;\">Escenografia i vestuari: Daniel Torres<\/span><\/li>\r\n<li>Maquillatge i perruqueria: Roberto Palacios<\/li>\r\n<li>Espai sonor: Kevin Dornan<\/li>\r\n<li>Il\u00b7luminaci\u00f3: Luis Garc\u00eda S\u00e1nchez<\/li>\r\n<li>Disseny gr\u00e0fic: Hawork Studio<\/li>\r\n<li>Fotografia: Juan Carlos Ar\u00e9valo<\/li>\r\n<li>Assesor\u00eda art\u00edstica: Carla Nyman<\/li>\r\n<li>Coordinaci\u00f3 t\u00e8cnica: Luis Garc\u00eda<\/li>\r\n<li>Transport: Miguel \u00c1ngel Oca\u00f1a<\/li>\r\n<li>Producci\u00f3: Inma Almagro<\/li>\r\n<li>Direcci\u00f3 de producci\u00f3: Luis Gal\u00e1n<\/li>\r\n<li>Producci\u00f3 executiva: Secuencia 3<\/li>\r\n<li>Comunicaci\u00f3: Beatriz Tovar i Borja Gal\u00e1n<\/li>\r\n<li>Departament jur\u00eddic i financer: Marina C. Feliu i Marta Garc\u00eda<\/li>\r\n<li>Administraci\u00f3: Gestor\u00eda Magasaz<\/li>\r\n<li>Distribuci\u00f3: Adri\u00e1n Chico i Mireia Mart\u00ednez<\/li>\r\n<li>Coproducci\u00f3: Secuencia 3, Saga Producciones, Gestor\u00eda Magasaz, Hawork Studio i Vania<\/li>\r\n<li>Amb la col\u00b7laboraci\u00f3 del Teatro El Repertorio de Nueva York<\/li>\r\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>SINOPSI Dues actrius madures demanen a l&#8217;autor Eduardo Gal\u00e1n que els escrigui una adaptaci\u00f3 d&#8217;un cl\u00e0ssic per a elles. A [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":5360,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13,9],"tags":[],"class_list":["post-5365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nacional-2","category-teatre"],"_links":{"self":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/5365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/comments?post=5365"}],"version-history":[{"count":4,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/5365\/revisions"}],"predecessor-version":[{"id":5393,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/5365\/revisions\/5393"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media\/5360"}],"wp:attachment":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media?parent=5365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/categories?post=5365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/tags?post=5365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}