{"id":579,"date":"2014-06-23T17:10:10","date_gmt":"2014-06-23T17:10:10","guid":{"rendered":"https:\/\/vania.es\/?p=579"},"modified":"2016-07-26T10:51:59","modified_gmt":"2016-07-26T10:51:59","slug":"politicament-incorrecte","status":"publish","type":"post","link":"https:\/\/vania.es\/ca\/politicament-incorrecte\/","title":{"rendered":"Poli\u0301ticament incorrecte (2012)"},"content":{"rendered":"<section class=\"vania-main-content cf\"><\/section>\n<p>BARCELONA: TEATRE CONDAL &#8220;POL\u00cdTICAMENT INCORRECTE&#8221;<\/p>\n<p>Out of Order \u00e9s una brillant com\u00e8dia de vodevil que centra la seva acci\u00f3 a la suite 648 del Westminster Hotel de Londres, aproximadament a dos quarts de nou d\u2019una tarda de setembre. Richard Willey, un Ministre del Govern, t\u00e9 la intenci\u00f3 de pasar la nit amb Jane Worthington, una diputada de l\u2019oposici\u00f3; el desastre comen\u00e7a quan descubreixen el cos d\u2019un desconegut atrapat a la finestra de l\u2019habitaci\u00f3. Desesperat, Richard truca el seu ajudant, George Pigden, que arribar\u00e0 a una crisi d\u2019identitat per culpa de les mentides del Ministre. La hist\u00f2ria embogeix amb l\u2019arribada de Ronnie, el marit de Jane, de l\u2019infermera Foster, de la muller del Ministre i d\u2019un cambrer sense escr\u00fapols.<\/p>\n<p>Out of Order es va estrenar per primera vegada al Thorndike Theatre de Londres, el 8 de maig de 1990, sota la direcci\u00f3 del seu propi autor, Ray Cooney, qui tamb\u00e9 va interpretar un dels papers protagonistes (George Pigden).<\/p>\n<p>L\u2019\u00e8xit immediat de l\u2019obra va provocar que el 28 de setembre, quatre mesos despr\u00e9s, se segu\u00eds representant, aquest cop al Shaftesbury Theatre de Londres, amb Ray <strong>Cooney<\/strong> tamb\u00e9 com a director i amb un repartiment pr\u00e0cticament nou.<\/p>\n<p>Ray Cooney va comen\u00e7ar al camp de la interpretaci\u00f3 el 1946. Posteriorment es va dedicar a la producci\u00f3 i direcci\u00f3 teatral, pero ha seguit participant com a actor en algunes obres fins avui. El 1991 va ser reconeguda definitivament la seva tasca al teatre quan Out of Order va rebre el premi Olivier a la millor com\u00e8dia de l\u2019any.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Adaptaci\u00f3: <\/strong>Paco Mir, J.L. Martin i Jordi Galceran<\/p>\n<p><strong>Direcci\u00f3:<\/strong> Paco Mir<\/p>\n<p><strong>Repartiment:<\/strong><\/p>\n<p>Pep Ferrer<\/p>\n<p>Llu\u00eds Villanueva<\/p>\n<p>Josep M\u00aa Gimeno<\/p>\n<p>Montse Puga<\/p>\n<p>No\u00e8lia P\u00e9rez<\/p>\n<p>Pere Ventura<\/p>\n<p>Pep Mir\u00e0s<\/p>\n<p>Eli Iranzo<\/p>\n<p>Marta Vila<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Aj. de direcci\u00f3:<\/strong> Gilbert Bosch<\/p>\n<p><strong>Escenografia:<\/strong> Paula Bosch<\/p>\n<p><strong>Vestuari:<\/strong> Leo Quintana<\/p>\n<p><strong>Ajudant de Vestuari: <\/strong>Ana Mart\u00ednez<\/p>\n<p><strong>Disseny il.luminaci\u00f3:<\/strong> Luis Mart\u00edn<\/p>\n<p><strong>Construcci\u00f3 esc\u00e8nica:<\/strong> Arts-c\u00e8nic<\/p>\n<p><strong>M\u00fasica:<\/strong> Jaume Vilaseca<\/p>\n<p><strong>Disseny gr\u00e0fic:<\/strong> Miquel Aparici<\/p>\n<p><strong>Producci\u00f3 executiva:<\/strong> Carles Roca\/Merc\u00e8 Puy<\/p>\n<p><strong>Coordinaci\u00f3 de producci\u00f3:<\/strong> Montse Enguita<\/p>\n<p><strong>Administraci\u00f3:<\/strong> Teresa G\u00f3mez<\/p>\n<p><strong>Regidoria<\/strong>: Olalla Calvo<\/p>\n<p><strong>Cap T\u00e8cnic:<\/strong> Eudald Gili<\/p>\n<p><strong>M\u00e0rqueting i comunicaci\u00f3:<\/strong> Publiespec<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BARCELONA: TEATRE CONDAL &#8220;POL\u00cdTICAMENT INCORRECTE&#8221; Out of Order \u00e9s una brillant com\u00e8dia de vodevil que centra la seva acci\u00f3 a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":777,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13,9],"tags":[],"class_list":["post-579","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nacional-2","category-teatre"],"_links":{"self":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/comments?post=579"}],"version-history":[{"count":9,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/579\/revisions"}],"predecessor-version":[{"id":2813,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/579\/revisions\/2813"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media\/777"}],"wp:attachment":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media?parent=579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/categories?post=579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/tags?post=579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}