MADRID: TEATROS DEL CANAL<\/p>\n
Pedro Mu\u00f1oz Seca (1881-1936) \u00e9s autor d’unes tres-centes com\u00e8dies, la majoria de les quals van tenir un gran \u00e8xit de p\u00fablic ja en el moment de la seva estrena. Durant anys va ser l’autor teatral m\u00e9s aplaudit i respectat d’Espanya i molt aviat va ser identificat amb un nou g\u00e8nere: l\u2019astracan.<\/p>\n
Err\u00f2niament se sol identificar l\u2019astracan (o l’astracanada) amb la vulgaritat esc\u00e8nica o de llenguatge. Per\u00f2, en realitat, l\u2019astracan, a m\u00e9s de perseguir fer riure al p\u00fablic, es complau en la presentaci\u00f3 nua i sense embuts del convencionalisme esc\u00e8nic i argumental. I \u00e9s aix\u00f2 el que situa el g\u00e8nere en el pol oposat del romanticisme i li permet obrir noves possibilitats est\u00e8tiques, alhora que d\u00f3na a l’espectador l’oportunitat de distanciar-se de l’obra, veure-la m\u00e9s objectivada i, en aquest cas, sota l’\u00f2ptica de la comicitat.<\/p>\n
Per\u00f2 seria un error considerar La venganza de Don Mendo com una com\u00e8dia destinada nom\u00e9s a fer riure al p\u00fablic d’una manera f\u00e0cil. Al contrari, l’obra s’assenta sobre dues grans tradicions: la del teatre en vers i la de la par\u00f2dia. I aix\u00f2 exigeix \u200b\u200bun llenguatge s\u00f2lid amb una barreja intel\u00b7ligent i astuta de diferents estadis sincr\u00f2nics de la llengua espanyola, una capacitat per evocar els recursos de la versificaci\u00f3 tradicional i adornar de paronomasias, que tant poden jugar amb els elements sonors de les paraules com amb el que signifiquen. La venjan\u00e7a de Don Mendo \u00e9s una com\u00e8dia; per\u00f2 est\u00e0 constru\u00efda a partir d’aquests s\u00f2lids fonaments que acabem d’assenyalar i sobretot est\u00e0 constru\u00efda amb un gran instint teatral.<\/p>\n
No \u00e9s una obra, com alguns podrien pensar, destinada a companyies d’aficionats. Com totes les obres que funcionen sobre l’escenari, exigeix \u200b\u200bel mateix que exigeixen les bones com\u00e8dies de la hist\u00f2ria del teatre: un bon coneixement del medi i un bon coneixement dels recursos verbals que s\u00f3n el seu suport. No \u00e9s casualitat ni atzar que l’obra hagi estat tan representada des del dia de la seva estrena fins avui.<\/p>\n
\u00a0<\/strong><\/strong>Salvador Oliva<\/p>\n \u00a0Direcci\u00f3:<\/strong> Tricicle<\/p>\n Repartiment:<\/strong><\/p>\n Don Mendo:<\/strong> Javier Veiga<\/p>\n Don Nu\u00f1o:<\/strong> Ferm\u00ed Herrero<\/p>\n Don Pero:<\/strong> Frank Capdet<\/p>\n Magdalena:<\/strong> Laura Dom\u00ednguez<\/p>\n Ram\u00edrez:<\/strong> Inma Ochoa<\/p>\n Moncada:<\/strong> Carlos Heredia<\/p>\n Azofaifa \/Don juan de Pravia:<\/strong> Pepa Zaragoza<\/p>\n Bertoldino \/Abad\/ Froil\u00e1n\/ Don Alfonso:<\/strong> Diego Molero<\/p>\n Manfredo \/Clodulfo \/Alenza \/Al\u00ed:<\/strong> Toni Gonz\u00e1lez<\/p>\n Berenguela\/ Don Tirso de Pravia:<\/strong> Maribel Lara<\/p>\n Marquesa \/Nin\u00f3n \/Don Crespo de Pravia:<\/strong> Rosana del Carpio<\/p>\n <\/p>\n Autor:<\/strong> Pedro Mu\u00f1oz Seca<\/p>\n Adaptaci\u00f3:<\/strong> Paco Mir<\/p>\n Ajudant de direcci\u00f3:<\/strong> Ayanta Barilli<\/p>\n Disseny d\u2019escenografia:<\/strong> Jon Berrondo<\/p>\n Escenografia:<\/strong> Jorba-Mir\u00f3 Estudi- Taller d\u2019Escenografia<\/p>\n Vestuari:<\/strong> Marta Wazinger<\/p>\n Il\u00b7luminaci\u00f3:<\/strong> Nicol\u00e1s Fischtel<\/p>\n M\u00fasica i so:<\/strong> Pere Bardag\u00ed<\/p>\n Disseny gr\u00e0fic:<\/strong> Miquel Aparici<\/p>\n Producci\u00f3:<\/strong> Carles Roca y Merc\u00e8 Puy<\/p>\n Coordinaci\u00f3 de producci\u00f3:<\/strong> Montse Enguita<\/p>\n Ajudant de vestuari:<\/strong> Lourdes Mart\u00ednez<\/p>\n Confecci\u00f3 vestuari:<\/strong> \u00c9poca<\/p>\n Perruca:<\/strong> N\u00e9stor Pedro Aizcorbe Perillo<\/p>\n Gerent de companyia:<\/strong> \u00c1lvaro Sarmiento<\/p>\n Administraci\u00f3:<\/strong> Tere G\u00f3mez<\/p>\n Secretari:<\/strong> Rosi Cuadrado<\/p>\n Equip t\u00e8cnic:<\/strong> Tecnifront<\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" MADRID: TEATROS DEL CANAL Pedro Mu\u00f1oz Seca (1881-1936) \u00e9s autor d’unes tres-centes com\u00e8dies, la majoria de les quals van tenir 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