MADRID: TEATRO MARQUINA<\/p>\n
Des que el m\u00f3n, i mentre la ra\u00e7a humana habiti el planeta, hi ha un esport que sempre ens mantindr\u00e0 ocupats: l\u2019insondable m\u00f3n de les relacions sentimentals.<\/p>\n
Des grat o per for\u00e7a, la humanitat ha hagut de rec\u00f3rrer (i recorrer\u00e0!) els seus laber\u00edntics camins amb desigual fortuna. Per\u00f2 si \u00e9s inq\u00fcestionable que la ra\u00e7a humana t\u00e9 un talent innat per complicar-se la vida amb aquests temes, no \u00e9s menys cert que, afortunadament, tamb\u00e9 el t\u00e9 per riure-se\u2019n de si mateixa.<\/p>\n
\u00bfQu\u00e8 me\u2019n diuen d\u2019aquells miralls deformats, d\u2019antigues atraccions de barraca de fira? \u00bfPer qu\u00e8 es pensen que malgrat l\u2019evoluci\u00f3 tecnol\u00f2gica de la ind\u00fastria de l\u2019entreteniment, han esdevingut un cl\u00e0ssic que sempre perdurar\u00e0? Perqu\u00e8 simplement apel\u00b7len a aquestes dues habilitats eternes i immutables de la condici\u00f3 humana. Els miralls de fira el deformen la figura amb l\u2019\u00fanica i sana intenci\u00f3 de fer-te riure d\u2019all\u00f2 que hi veus reflectit, que no \u00e9s altra cosa que la teva pr\u00f2pia imatge, \u00e9s a dir: tu mateix.<\/p>\n
TE QUIERO, ERES PERFECTO… YA TE CANVIAR\u00c9, amb vocaci\u00f3 de mirall de fira, reflecteix situacions que ens envolten (per b\u00e9 deformades, no menys reconeixibles). De vegades absurdes, de vegades amargues, per\u00f2 que en cap moment han deixat de tenir un lligam be estret amb la realitat de cada dia.<\/p>\n
I ara, abans de comen\u00e7ar, nom\u00e9s dues coses, la primera: entrin sense por a la nostra sala de miralls! Segur que en m\u00e9s d\u2019un moment s\u2019hi veuran reflectits a dalt de l\u2019escenari. B\u00e9, vaja, cadasc\u00fa, oi? I en q\u00fcestions d\u2019amor encara m\u00e9s. I la segona: \u00e9s que els estimem perqu\u00e8 s\u00f3n perfectes, per\u00f2 si us plau no canvi\u00efn mai! No deixin de venir al teatre. Gr\u00e0cies<\/p>\n
Esteve Ferrer<\/p>\n
<\/p>\n
Direcci\u00f3: <\/strong><\/strong>Esteve Ferrer<\/p>\n Repartiment:<\/strong><\/p>\n Silvia Mars\u00f3<\/p>\n Miguel de Arco<\/p>\n Carmen Conesa<\/p>\n Victor Ullate<\/p>\n Karmele Aranburu<\/p>\n Israel Elejalde<\/p>\n <\/p>\n Traducci\u00f3 i Adaptaci\u00f3: <\/strong><\/strong>Ana Ullibarri i Roser Batalla<\/p>\n Ajudants de Direcci\u00f3 Musical:<\/strong> Pep Pladellorens \/ Arnau Vil\u00e1<\/p>\n Viol\u00ed:<\/strong> M\u00f3nica Fuenterf\u00eda<\/p>\n Contrabaix:<\/strong> L\u00e1zaro Pulido Cruz<\/p>\n Piano:<\/strong> Arnau Vil\u00e1<\/p>\n Arreglo Musical:<\/strong> Manuel Gas<\/p>\n Direcci\u00f3 Musical:<\/strong> Manuel Gas<\/p>\n Ajudant de Direcci\u00f3:<\/strong> Anna Ullibarri<\/p>\n Escenografia:<\/strong> Carlos Montesinos<\/p>\n Disseny de Il\u00b7luminaci\u00f3:<\/strong> Ignasi Morros \/ Fernando Ayuste<\/p>\n Disseny de so:<\/strong> Joan Manel Galiano<\/p>\n Vestuari:<\/strong> Antonio Belart<\/p>\n Ajudant de Vestuari:<\/strong> Emma Escolano<\/p>\n Confecci\u00f3 de Vestuari:<\/strong> Sastrer\u00eda Sierra<\/p>\n Sastre de Companyia:<\/strong> \u00c1ngela Rodr\u00edguez<\/p>\n Coreografia:<\/strong> Montse Colomer<\/p>\n Regidoria:<\/strong> Jose M\u00aa Otero<\/p>\n Maquinaria:<\/strong> Rafael Duque \/ Daniel Higuera<\/p>\n T\u00e8cnic de So:<\/strong> Mariano Garc\u00eda \/ Sandra Vicente<\/p>\n T\u00e8cnic de Il\u00b7luminaci\u00f3:<\/strong> Gustavo Segovia<\/p>\n Utillatge:<\/strong> M\u00aa Carmen March\u00e1n<\/p>\n Constructor Decorat:<\/strong> Miram\u00f3n Mendi<\/p>\n Gravaci\u00f3 efectes:<\/strong> Oido<\/p>\n Disseny Gr\u00e0fic:<\/strong> Miquel Aparici<\/p>\n Premsa y Promoci\u00f3:<\/strong> Mayte Ferrer<\/p>\n","protected":false},"excerpt":{"rendered":" MADRID: TEATRO MARQUINA Des que el m\u00f3n, i mentre la ra\u00e7a humana habiti el planeta, hi ha un esport que […]<\/p>\n","protected":false},"author":1,"featured_media":799,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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