{"id":880,"date":"2014-11-19T12:05:08","date_gmt":"2014-11-19T12:05:08","guid":{"rendered":"https:\/\/vania.es\/?p=880"},"modified":"2016-07-26T10:35:25","modified_gmt":"2016-07-26T10:35:25","slug":"politicamente-incorrecto-1998-2","status":"publish","type":"post","link":"https:\/\/vania.es\/ca\/politicamente-incorrecto-1998-2\/","title":{"rendered":"Pol\u00edticamente incorrecto (1998)"},"content":{"rendered":"<header class=\"article-header\" style=\"color: #5c6b80\">BILBAO: TEATRO ARRIAGA &#8220;POL\u00cdTICAMENTE INCORRECTO&#8221;<\/header>\n<header class=\"article-header\" style=\"color: #5c6b80\"><\/header>\n<header class=\"article-header\" style=\"color: #5c6b80\">Un dia, Edmundo Kean, el gran actor angl\u00e8s del segle passat, va aprofitar que es trobava al llit envoltat dels seus deixebles i al mateix temps -un fat\u00eddic cas de ubiq\u00fcitat- a les portes de la mort, per fer eterna la frase: &#8220;morir \u00e9s f\u00e0cil, el dif\u00edcil \u00e9s fer com\u00e8dia&#8221;.<\/p>\n<p style=\"text-align: justify\">Sense arribar a aquests extrems, actors i actrius manifesten sovint que \u00e9s molt m\u00e9s f\u00e0cil fer riure que plorar per\u00f2, malgrat els reiterats esfor\u00e7os per posar les coses al seu lloc, la com\u00e8dia, -escrita, dirigida o interpretada- continua sent el germ\u00e0 pobre del teatre; els premis se&#8217;ls emporten gaireb\u00e9 sempre les obres serioses dirigides amb serietat i el p\u00fablic acaba valorant m\u00e9s una ll\u00e0grima lliscant per la galta d&#8217;un actor que les que pugui provocar un bon gag. Per qu\u00e8? \u00c9s que potser un actor de com\u00e8dia t\u00e9 tamb\u00e9 ulls, mans, \u00f2rgans, dimensions, sentits, afectes i passions? \u00c9s que no l&#8217;alimenten els mateixos aplaudiments i el fereixen les mateixes cr\u00edtiques que als actors dram\u00e0tics? Si, per\u00f2&#8230;<\/p>\n<p style=\"text-align: justify\">Generalitzant molt, un actor dram\u00e0tic obt\u00e9 una \u00fanica resposta del p\u00fablic: l&#8217;aplaudiment final. L&#8217;actor de com\u00e8dia rep tantes com situacions c\u00f2miques hagi interpretat; cada gag en si \u00e9s una petita obra que busca recompensa: el riure del p\u00fablic. Cada gag \u00e9s un examen i el millor que li pot passar a una obra c\u00f2mica \u00e9s que estigui plena d&#8217;ex\u00e0mens. Potser \u00e9s per aix\u00f2 que Groucho Marx despr\u00e9s d&#8217;actuar durant una breu temporada en una obra dram\u00e0tica digu\u00e9s que havia estat com prendre unes vacances.<\/p>\n<p class=\"entry-title single-title\" style=\"font-weight: 500;text-align: justify\">Morir \u00e9s f\u00e0cil, el dif\u00edcil \u00e9s escriure una nota per a programa de m\u00e0.<\/p>\n<p style=\"text-align: right\">Paco Mir<\/p>\n<h1 class=\"entry-title single-title\" style=\"font-weight: 500\"><\/h1>\n<\/header>\n<p><strong>Direcci\u00f3:<\/strong> Paco Mir<\/p>\n<p><b>Repartiment:<\/b><\/p>\n<p>Pedro Mari S\u00e1nchez<\/p>\n<p>Fermi Herrero<\/p>\n<p>Inma Ochoa<\/p>\n<p>Amaia Lizarralde<\/p>\n<p>Ram\u00f3n Merlo<\/p>\n<p>Carlos Heredia<\/p>\n<p>Jos\u00e9 Conde<\/p>\n<p>Maribel Lara<\/p>\n<p>Paca L\u00f3pez<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Adaptaci\u00f3:<\/strong> Paco Mir<\/p>\n<p><strong>Disseny d\u2019espai esc\u00e8nic:<\/strong>Jordi Tejedor<\/p>\n<p><strong>Disseny de vestuari:<\/strong>Beatriz San Juan<\/p>\n<p><strong>Disseny d\u2019il\u00b7luminaci\u00f3:<\/strong>Paco Mir\/ Jaume Feixas<\/p>\n<p><strong>M\u00fasica:<\/strong> Jaume Vilaseca<\/p>\n<p><strong>Disseny gr\u00e0fic:<\/strong> David Sueiro<\/p>\n<p><strong>Fotografies :\u00a0<\/strong>Antonio de Benito<\/p>\n<p><strong>Agra\u00efments:<\/strong> Nani Marquina Westin Palace<\/p>\n<p><strong>Realitzaci\u00f3 escenografia:<\/strong> Arts- C\u00e8nics<\/p>\n<p><strong>Cap t\u00e8cnic:<\/strong> Jaume Feixas<\/p>\n<p><strong>T\u00e8cnic d\u2019 il\u00b7luminaci\u00f3 \/so :\u00a0<\/strong>Alfredo Medina<\/p>\n<p><strong>Maquinista:<\/strong> Roberto Men\u00e9ndez<\/p>\n<p><strong>Regidor\/Gerent de c\u00eda<\/strong>: Jair Souza<\/p>\n<p><strong>Ajudant de producci\u00f3<\/strong>: Rafael Ca\u00f1adas<\/p>\n<p><strong>Ajudant de direcci\u00f3<\/strong>: Carmen Rosa<\/p>\n<p><strong>Productor executiu<\/strong>: Jes\u00fas Cimarro<\/p>\n<p><strong>Director Gerent:<\/strong>\u00a0Jes\u00fas Cimarro<\/p>\n<p><strong>Distribuci\u00f3:<\/strong> Graciela Huesca\/ Carmen Garc\u00eda<\/p>\n<p><strong>Secretaria:<\/strong> Elena G\u00f3mez<\/p>\n<p><strong>Administraci\u00f3:<\/strong> Lola Pardo de Sanrayana\/Cristina Hern\u00e1ndez<\/p>\n<p><strong>Premsa<\/strong>: Mar\u00eda D\u00edaz<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>BILBAO: TEATRO ARRIAGA &#8220;POL\u00cdTICAMENTE INCORRECTO&#8221; Un dia, Edmundo Kean, el gran actor angl\u00e8s del segle passat, va aprofitar que es [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":878,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[13,9],"tags":[],"class_list":["post-880","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nacional-2","category-teatre"],"_links":{"self":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/comments?post=880"}],"version-history":[{"count":9,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/880\/revisions"}],"predecessor-version":[{"id":2811,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/posts\/880\/revisions\/2811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media\/878"}],"wp:attachment":[{"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/media?parent=880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/categories?post=880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vania.es\/ca\/wp-json\/wp\/v2\/tags?post=880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}